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100 SUNS 064 DOG 81 KILOTONS ENEWETAK ATOLL 1951

100 SUNS 064 DOG 81 KILOTONS ENEWETAK ATOLL 1951

TEXTURE: ARCHIVAL PIGMENT PRINT IN WOODEN FRAME

HISTORY: Between July 1945 and November 1962 the United States is known to have conducted 216 atmospheric and underwater nuclear tests. After the Limited Test Ban Treaty between the U.S. and the Soviet Union in 1963, nuclear testing went underground. It became literally invisible - but more frequent: the United States conducted a further 723 underground tests until 1992.

100 SUNS documents the era of visible nuclear testing, the atmospheric era, with 100 photographs drawn from the archives at Los Alamos National Laboratory and the U.S. National Archives in Maryland. It includes previously classified material from the clandestine Lookout Mountain Air Force Station based in Hollywood, whose film directors, cameramen, and still photographers were sworn to secrecy.

The title, 100 SUNS, refers to the response by J. Robert Oppenheimer to the world's first nuclear explosion in New Mexico when he quoted a passage from the Bhagavad Gita, the classic Vedic text, "If the radiance of a thousand suns were to burst forth at once in the sky, that would be like the splendor of the Mighty One... I am become Death, the destroyer of worlds." This was Oppenheimer's attempt to describe the otherwise indescribable. 100 SUNS likewise confronts the indescribable by presenting without embellishment the stark evidence of the tests at the moment of detonation. Since the tests were either conducted in Nevada or the Pacific the book is divided between the desert and the ocean. Each photograph is presented with the name of the test, its explosive yield in kilotons or megatons, the date and the location. The enormity of the events recorded is contained by understated neutrality of bare data. Interspersed within the sequence of explosions are images of awestruck witnesses.

The evidence of these photographs is terrifying in its implication and also profoundly disconcerting as a spectacle. The visual grandeur of such imagery is balanced by the chilling facts provided at the end of the book in the detailed captions, a chronology of the development of nuclear weaponry, and an extensive bibliography.

Details

  • ARTIST: MICHAEL LIGHT
  • DIMENSIONS: 33.5CM X 26CM
  • PLACE OF ORIGIN: USA
  • PERIOD: 2003
  • WEIGHT:

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